A suggestion for fellow bpb readers is to use this thing as a quick monitoring chain for recording. It has zero added latency and if you use some of the other zero latency waves plugins on it you can get a pretty nice sound without the hassle of routing tracks and stuff. Eq, compression, some more eq, parallel split for fx, done. Also, it eats up very little cpu and having less routing also helps with that. Good recording!
In the sGC analysis, the number of edges with significantly increased parietooccipital to frontotemporal connectivity of entrained gamma waves with the same frequency of administered FLS was higher than that in the rsEEG when the flickering frequency of FLS ranged from 32 to 38 Hz for 400 cd/m2 FLS and from 34 to 40 Hz for 700 cd/m2 FLS (Fig. 4A, B).
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FLS with high luminance intensity and/or contrast was also found to induce stronger SSVEP than FLS with low luminance intensity and/or contrast in humans20,21,22. The amplitudes of SSVEP entrained by 100 cd/m2, 400 cd/m2, and 700 cd/m2 FLS were 94.1%, 180.4%, and 201.9% higher than those entrained by 10 cd/m2 FLS in our study, respectively. In previous studies, 1,000 cd/m2 FLS entrained 13% stronger SSVEP than 400 cd/m2 FLS23, and 1400 cd/m2 FLS entrained gamma waves more strongly and widely than 700 cd/m2 FLS10.
The study consisted of two experiments (Fig. 5): the first experiment (EXP-1) for identifying the optimal color of FLS for entraining gamma waves and the second experiment (EXP-2) for identifying the optimal intensity of FLS for entraining gamma waves. From both experiments, we identified the optimal frequency of FLS for entraining gamma waves.
To find the optimal color, intensity, and frequency of FLS for entraining gamma waves, the spectral power change of EEG induced by FLS was analyzed using event-related spectral perturbation (ERSP) in each block. We calculated the event-related desynchronization/event-related synchronization (ERD/ERS) value by averaging them from 10 FLS trials in each block to get a normalized averaged spectral power change induced by a given color, intensity, and frequency of FLS.
To examine whether gamma waves entrained in the occipital cortex propagate to other brain areas, the spectral Granger causality (sGC) of gamma waves was compared in each block of the white FLS of 400 cd/m2 and 700 cd/m2 in the EXP-2 to that of gamma waves of the same frequency in rsEEG33,34,35. We compared the sGC of rsEEG with that of SSVEP during FLS using paired t-test with a false discovery rate corrected p value of 0.05. We constructed an adjacency matrix of a given intensity and flickering frequency of FLS using the edges that were found to be significantly different between rsEEG and SSVEP. We employed graph theory measures to compare the network structures quantitatively between different conditions of light intensity and frequency36,37.
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The founder of Nomad Factory, respected plugin developer Bernie Torelli, very sadly passed away recently. As a touching parting gesture to the audio community that encouraged and supported him during his illness, he and Nomad Factory decided to make Bus Driver free to download, with the option of making a donation to help Nomad Factory continue on.So show your love, find out more about Bernie and the details on the voucher code you need for the download here.
Abbey Road Reverb Plates - If you've ever attended one of our free workshops on reverb (if you haven't, just download one of our free mixing guides to start getting our newsletter and stay in our loop), you'll know that not every reverb is created equally. In fact, each style of reverb is totally different and should be used in completely different circumstances.
The wavelength of the standing wave for any given harmonic is related to the length of the string (and vice versa). If the length of a guitar string is known, the wavelength associated with each of the harmonic frequencies can be found. Thus, the length-wavelength relationships and the wave equation (speed = frequency * wavelength) can be combined to perform calculations predicting the length of string required to produce a given natural frequency. And conversely, calculations can be performed to predict the natural frequencies produced by a known length of string. Each of these calculations requires knowledge of the speed of a wave in a string. The graphic below depicts the relationships between the key variables in such calculations. These relationships will be used to assist in the solution to problems involving standing waves in musical instruments.
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